Stories
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For me it became I suppose, to fall in love with a voice where this voice would talk between record plays which could be construed on occasion as double entendre meant for me, or communication through catch phrases. Or perhaps the message of entire songs lyrics, but I disregarded this as overly complex. I always have wanted my music random,
that is unpredictable and chosen by the disk jockey such that I could choose to interpret it as communication.
Open interpretation means an element can mean anything. It is up to me to give it whatever interpretation I wish. It is up to me to decide whether any instance of reality has no particular communicative meaning for me, or it may contain specific meaning meant for me particularly. This means my reality is alive and intelligent.
It has to be a live disk jockey who selects their own music. They may not make a random selection, but build a sequential theme, but that doesn't matter because it is random to me. I have no idea what the next song will be even if I knew the theme.
All this I learned twenty-five years earlier in my first episode. But that was attempting affect with a broad range of time and happen-stance for a correlation of intention to occur. The music thing would be specific and immediate.
The idea was to attempt to affect the
disk jockey by telepathy, then interpret the response by catch phrase. Then respond with a further affect and so on interpreting the catchphrases to determine if there were any success.
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